fflo: (Default)
July now, and not near dark, and I have to
shut the windows against the cold.  It's not right,
and I don't want to.  I want them open,
as I have kept leaving them, almost all this spell,
at least a little, though sometimes, and tonight for sure,
there seems so little chance against the deepening chill
that will leave me, again, insufficiently protected,
even under covers, from the shivering
to the bone, seizing me up, compromised,
bitter aching for days, perhaps even
to take sore ill, as folk do, and have done,
when the wicked dank danger
invades the very breath and grabs hold
such that you know in the viscera why
they used to talk of humors and vapors and the likes of bedeviling.
There's no doubt what's wise with the windows.
But I fight it.  I don't want to give up.
It matters to me terribly much, such as I can't say.
And even as I close them, and go out to meet people,
and come back to try to sleep in the still crisp hard air,
I cannot think of tomorrow.  I can only feel
how wrong; how cold; how unconsoled.
fflo: (Default)
let feelings through after all and
the mindful aesthetic shrinks, words like
mother, father, even you are so big
all the words around them must be small,
forget love, don't even consider names
of seasons, times of day, qualities of light,
for to say almost anything with those is to say
so too much
as to mean nearly nothing,
compared to what's said by the nameless


It makes me want to collect poems about what isn't said, can't be said, refuses articulation.

It's the day after the weekend of our spring chorus performances.  I'm tired.  It was quite a ride.  Among other flurries, the flurry of prep and the heightened-sense thing of "Showtime!"s leaves one afterwards in a sort of daze, stunned to be in what seems a sudden emptiness (lack, minus) of that biz.

Show biz, I guess, is what biz that biz is.  But not the kind in which you make money.  The busy + ness kind of business of show.

Lorne's left town (book fair weekend) without me seeing his face.  Says he and LA will be coming through in a month.  I pause to see what I feel about that, and don't pick up much.  [ --- Hey, that means it's also that day.  The Monday after.  Wow.  I interrupt with this oh-hey upon reading over these lines, and shall go back into the prime powers mentioned below under the influence of it. ]

Was thinking walking into the office this morn, though, of my current knee troubles making it hurt (these past few days) to take long steps with the other leg, cuzza something that happens when the compromised knee then has to do some certain angle to bring that leg forward from behind me.  An incident involving that difficulty and a friend's performative-looking impatience this weekend brought up some decades-old pain, from being a teenager, recovering from ankle surgery, and experiencing something similar enough as to be close to the same, in some internal/emotional way.  I didn't get the connection right away, but I got it eventually.  The incident itself pissed me off, and was a case of somebody being a jerk, but I think it took it having extra sting for me even to realize that much.  Even to notice that it wasn't okay.  And even that may not have happened had I not already been in a vulnerable place for other reasons.

Back now to, let's see, a theorem of Prachar involving prime powers.
fflo: (Default)
Maybe there is no getting around it
but what do I care, I don't want around it,
I want it.  I want it, and this
pesky mosquito of whispery warnings
I know could be my friend but
it is not the friend I want right now,
want inches away, want with the palpable
floating tingles in the space between us
standing hairs on end via magnetic fields
yes sure one might engineer one's way away from,
but I don't want a way away, again.
 

Welcome.

Apr. 17th, 2013 11:53 pm
fflo: (Default)
Hello, Now.  Here we are.  Hi, Here.

Spent a lot of time with you two
through the years.  Constant
companions.  Yet I flirt with
the others just about all the time.
I struggle to give you my complete
attention.  K-Mart shoppers

hahahahahahaha

a line is a unit of attention

my Now poem breaks out!  my Now
poem says this is what I'm doing Now!
--- but ---uh-oh---  The flash interrupts:
I have new games that can be played.

So I'll curl up & get lost in that for a spell
and in a really sick doubly distant way
be connecting where the connecting is not
otherwise Now,
            or even Nowabouts

My feet are cold.  My knee is old.
I have a bird I like to hold,
but for the bird part.  Now is the time
for all quick brown foxes to jump,
might as well jump, back against the record machine,
if you see what I meander along doing, all this
coming from the noggin, unbidden, and I was just
a moment ago taking stock of Now sensations.

Hi, Now.  Hey.  Here.  How's it goin'.


fflo: (Default)
The details of the prompt are here.

In short here's a poem in Norwegian by Gro Dahle, followed by my blind-guess translation of it.  A true or true-ish translation's behind the jump.

HVEM ER DET SOM VENTER PÅ DEG UANSETT HVA DU HAR GJORT UANSETT HVA DU HAR SAGT MYKERE ENN DU HADDE TENKT BEDRE ENN DU KUNNE HUSKE?

Puten din
i det slitte gamle trekket
Et eneste stort kinn
av omfavnelse


HOW TO OR WHAT LETS ONE SLEEP THROUGH UNDERSTANDING HOW YOU MUST HAVE GOD UNDERSTANDING HOW YOU SAY "MYSTERY" IN YOUR HEADJUNK BEFORE YOU CAN HEFT IT (AWAY)?

Put off
all the play-time journeying
and earnestly ask your fellows
to have compassion


translation )

I like the real poem. A lot.

fflo: (Default)

Wikip: "The pantun is a four-lined verse consisting of alternating, roughly rhyming lines. The first and second lines sometimes appear completely disconnected in meaning from the third and fourth, but there is almost invariably a link of some sort. Whether it be a mere association of ideas, or of feeling, expressed through assonance or through the faintest nuance of a thought, it is nearly always traceable."

NaPoEtc.: "A pantun consists of rhymed quatrains (abab), with 8-12 syllables per line. The first two lines of each quatrain aren’t meant to have a formal, logical link to the second two lines, although the two halves of each quatrain are supposed to have an imaginative or imagistic connection."


It doesn't work, that sitcom conversation thing,
with alternating monologues, oblivious.
I've practically been praying now for cold to end,
yet Spring will bring the echoings of wondrousness.

Supposed to play off of each other, listening
to just the words they're speaking to themselves, it dies.
The all of Spring says rebirth should be happening,
And death in Spring's a fate the heart wants to deny.

fflo: (Default)
day x, take a walk

(after a Ferlinghetti favorite)


The dog trots not freely on the grass
and some she pulls
and some she stops to smell
Kathleen's ground cover
Doug's mailbox
The dog trots and jerks
down the block
and the things she sees
don't matter like what she smells
unless they're a squirrel
or, soon, a firefly

The dog trots unfreely on the walk
tied and clipped and tied to the slow one
except when there's something good to smell
Then the slow one's too fast

The dog trots leashédly by the street
and it's all good, for three or four driveways,
right alongside Ol' Two-Legs
who can hardly believe it
whole yards of the panting canter
no pull, What, did I drop the lead?
and then maybe there's Uncle Bert



(Okay that one'd be more fun if I really let it loose.)  (Yeah, that's what she said.)


day x+1, in voice of superhero


I may be Wonder Woman, but my head hurts.
This happens to us, too.  I just woke up with it.
Tried acupressure throughout brunch.  Why not.
Those women already know I'm weird.  All day
the Wonder jaw, the Wonder cheeks, the Wonder
neck
             --- don't get me started on necks.
Yes, I know I'm the one who said neck.  Let's not
tip everybody off to my Kryptonite.  I'm Wonder
Woman, but my powers are sorely limited.
I deflect bullets with jewelry, and speak every language,
and no matter how Golden my lasso
I can't snag the moon, stay close to the runner,
or make this headache go away.



fflo: (Default)
"...to a parent, lover, sibling, child, teacher, roommate, best friend, mayor, president, corporate CEO, etc."





Oh, but I only know what I'd say because
someday I think I might say it.  Because
I want to, see?  It's like Harold Hill tells Winthrop,
there near the end, after the deep-cut-true question:
I always think there's a band, kid, he says,
because he does, and then in the movie
there is one, because it's a movie,
and in the movies believers
suffer and suffer and suffer and then
there is respite--- then there's sweet respite
before the respite of respites, not sweet.


fflo: (Default)
So I scrapped the ottava rima in progress about life-long proclivity for proximity to number-wonder minds and their housings, and I'm skipping the film noir assignment I'd have addressed by riffing on the one classic character (arche)type, and now today's is supposed to be an un-love poem, and that's not what this is.


Nested Russian Suckage Dolls

Yeah, that's what it is, and the trippy thing is how
they morph, which one containing which
never in clear, or the same, order, their sizes and shapes
doing topological non-donut tricks you could model
with computers, maybe, if you could keep up with it,

but the formulas and functions
are always changing, and we're
smart, too smart, but not that smart,
and anyway what good would it do,
describing it exactly instead of
--- instead.


I don't much like the ending, as it currently is.

Here's a bonus, today's offering from april-is:


The Fist

The fist clenched round my heart

loosens a little, and I gasp
brightness; but it tightens
again. When have I ever not loved
the pain of love? But this has moved

past love to mania. This has the strong
clench of the madman, this is
gripping the ledge of unreason, before
plunging howling into the abyss.

Hold hard then, heart. This way at least you live.

                                          -- Derek Walcott
 
fflo: (Default)
 
 
 
 
 
Egress Checklist

The exits are marked, and well-lit, with no hinges
Improperly set or located, or stuck;
You won't be obstructed, however you go,
And you’ll opt for the easiest route, with your luck.
The ramp slope is gentle, the path it is clear---
Whether danger is present or not, there's no doubt
The deep fear is bubbling, it’s time to escape,
For this is your way:  Out.


fflo: (Default)
 
 
 
 
                The Twilight Zone of Proximal Development


    Well for one thing, dear girl, stop this trying to figure it
    more curse or opportunity, some camouflaged propitiousness
    pinned under a heap of still-spurting volcanic spasms, this being
    stuck, daily, contending, this inescapable, this trap that’s had you
    imagining the likes of gods and offenses against them, or
    whatever other cluster of the set of all anythings you can mind,
    rather than openly embrace:  here and gone, far, lost.


 
fflo: (Default)
In my winter dream, one by one, I detach
each limb, remove the big bone,
look to the end for the sucking-out place
and extract the puzzle piece of hard marrow,
as if it’s venom, to try, in vain, to save myself, myself,

from the disease it turns out is in the last
of them, the fourth, which I see instantly is bad,
shrunken and black, and bitter.  The cavity
expands as I explore it, and on its wall
are a small aperture of lens, and a sign

telling me to push there to take my picture,
in this secret photo booth of my innerds.
The band-aid box nearby is equipped
with a note:  If you’re seeing this,
you’re almost surely dead very soon.

There must be, I then understand, some mechanism
like a postage-paid mailer in there too, and the idea's
to ready a snapshot of my face in farewell,
for sending to loved ones, now that I know, oh
no, this was not a good way to treat my illness.
fflo: (Default)
smooth white root 3
drug me insomni-

charge joy pang flee
far close far we

recline belly
undulating

pillow pill me
knock out drop dream

root 2 root 3
smooth white drugs me
 
fflo: (Default)
People's mothers are dying, or one just did and another's soon shall, plus the mothers of others, the others' mothers.  People's mothers are dying, and I think I had a long day.  Part of my long day was about a dying mother.  People's mothers are also having birthdays, and people's dead fathers had this birthday, and it's pushing midnight again, and here I am.  Blew off the maybe-was-gonna, did some hanging instead, just a bit, had some food in there, I dunno, Manny sure is being Mr. Cuddly, and I am old, oh that's right.  The Detroits were down to the Oaklands 2-0 when I put the dog to bed and retired to this chamber.  I do not know whether I will keep any shoes this time.  Goofy footwear is still to come, but the odds are against it, though I find it really appealing, in the pictures, in the pictures in my head, in the picture of the ends of my legs below the knees in my head.

Is it blue or is it green?  Blue and green are hard to tell.  Names for blue, Pantone 292, cultures always name red first, and blue no not blue so soon, blue last,  what, all of them?, yes, wikip linguistic relativity and the color naming debate, but hey, many languages don't have separate words for green and blue, and when they do it's often fuzzy and maybe they switch around what color that is, and it's always that hunk of the spectrum with respect to which people argue with me about whether for inst a turquoise is blue (I'm saying yes) or whether my car is purple (I say no).  Bert suggests a gendered biological aspect.  Beth and I talk of Tracy's "sage" having leaned it green, cuz that's a plant.  They do not match, but they go, says Shelly, not Percy Bysshe, he had another e anyway, no I mean our Shelly, not roller derby bowling Shelly, not Silverstein, you know.  Shelly of the daytime family that Jesus is along with the gig and its renumerations so much of the world to me, lifeline, that kind of thing, s.t. I don't even like to think about what if not.

A point of reference, in other matters, I seem to have come up with out of my well no let's not say my ass let's say thin air, though it's not thin air, is Denise, or rather the aftermath of Denise.  Not about color.  Not about Leos with manes born on August 21, mothers or not, not dying and having birthdays.  And then there's how it's hurting me, or is it, am I acclimating, I sort of am acclimating, becoming acclimatized, here in my old age, okay not to that, hunh wtf, my left armpit itches.  It's time to tend to my fake-world airplanes.  And then lie down.  And then lie down.

When I close my eyes, what I will see, will it be those semi-taut curves on the top of the head, mostly I smelled those, felt the tickle on my nose and lips, I think no you know why cuz it will be, or already is, them kids crossing the street, Liberty in front of me, smack-dab midday, the first 35 in bouquets of pajama pants under their coats, and 2 grown women playing along, then dozens a little older in mostly jeans, which are blue, blue jeans, they go back to the old west but can't be that old, since they're blue.  All those kids, so far from dying, so far from knowing of so much.  In their pairs and clusters, having their downtown day.  And you are not lying down, Lisa.  You are sitting up, Lisa.  Earth to Lisa.  Lisa to Lisa.  Lisa.
fflo: (Default)
My darling girl, who's me, never again
shall I hate you for having not, afar,
heard well ahead what was afoot; or smelled,
a way's, what in the air; or felt, miles
away, the course the breeze had turned to blow.

I understand your not trusting me here,
so rarely have I got it right, and I
don't trust me either---yet do not detest
me when I keep my word imperfectly,
for this is what we can trust in ourself:  
imperfect.  Yes, forsooth, soothsay, it is
the opposite of that we cannot trust.

So let us now rejoice, in our sad way,
that we know nothing but that while we live
we fuck up fuck up fail to see and then
fuck up fuck up and fail to see again.
fflo: (Default)
fflo

Hello.

CURRENTLY FEATURING
the
Postcard of the Day

(a feature involving a postcard on a day)

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For another postcard thing, see
my old postcard poems tumblr or
its handy archive.

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I'm currently double-posting here & at livejournal. Add me and let me know who you are, and we can read each other's protected posts.

======================

"What was once thought cannot be unthought."

-- Möbius, The Physicists

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