fflo: (avengers)
[personal profile] fflo
Last night ABC's 20/20 had three stories: interview with Kelli Carpenter O'Donnell, who recently married Rosie; interview with Elton John; commentary by John Stossel. Overall I suppose the folks at ABC might think they were pretty good to us queers, but I'm not so sure.

For one thing, the implication that Rosie is a strong dyke who's been out there courageously fighting for us irritates me almost as much as does the making of closety Ellen DeGeneres into some sort of political hero. BOTH benefitted from being closeted early in their careers, and neither is what I'd call a life-long dedicated activist. Lately, at least, Rosie has been moving in that direction; Ellen, it seems to me, has been knocking politely on the closet door for years now, asking if there isn't some way she could be let back in.

Something else that bothers me about the Rosie-Kelli thing is a handful of signs that Kelli is taking a submissive, wifely role. I'm hesitant to make an assertion that falls in line with the thinking of butch-phobes, or even fat-bashers, as Rosie takes a lot of shit that is just that: shit. But, fer instance, Kelli took Rosie's last name (years ago, as a gift to her) and Rosie's still got the same name. And there's a feeling I get that theirs may not be a relationship in which a balance of power is particularly a goal. I could go read the transcript & give more detail if anybody wants to get into it.

It's all complicated for me by Rosie's wealth, too. I've often thought I wouldn't want to be terribly well-off, as that factor---that independence and potential for sharing it, selectively---gives a person a kind of power that, to me, makes the possibility of partnering with any ordinary person, not in that class situation, problematic. (Not to mention that I really do believe it's immoral for some to have so much, when so many have so little.)

Kelli had to answer questions about their use as role models for us queers, and the resultant "we are just normal unthreatening white people trying to raise children just like you" annoys the hell out of me. I hate that argument. I hate that attempt at "we're all about the kids, too" bonding. And I hate that, of course, they aren't at ALL like the bulk of us queers, or us dykes, because they're (duh!) rich.

The Elton John interview bothered me much less. I think I'd seen much, if not all, of the interview in 1990 they'd done, of which Baba Wawa showed clips; he'd just gotten sober. Maybe part of the Elton appeal is that he seems much more self-conscious about his wealth and what that means. In any case, I half want to stop and see him in Las Vegas on the way to Death Valley. (I wonder if he still has my cowboy hat.)

John Stossel's "Give Me A Break" segment had teased us, before a commercial, with the suggestion of an exchange in which some woman from Concerned Idiots of America asserted that gay marriage is a threat and Stossel came back with "Who does it hurt?" ---but then that exchange was not included in the piece that followed. In fact his commentary didn't get nitty-gritty at all. It was a dud.

I think it may still be a long road until we move beyond this "Will & Grace" stage---which somebody said is about the equivalent of the "Good Times" era in the depiction of African-Americans on TV in this country (article cited WAY back in my lj somewhere). I've been thinking this gay marriage right assertion might give us a good push forward (if it doesn't knock us back), but I have my doubts about how it'll play on network-tuned televisions in Peoria.

The Kitty Genovese news, via NPR this morning, is that she was a lesbian. She was the woman stabbed to death, slowly, within sight and earshot of over 35 neighbors in Queens in the mid-60's; that none of them called the police became an archetypical story of the times, shorthand for our self-centered isolation from our fellows and self-protective fear of getting involved. That she turns out to have been a lesbian, to me, begs for at least some musing about whether that fact influenced her neighbors' silence. NPR presented us with the first broadcast interview her lover at the time as ever granted. It was interesting, and somewhat moving, but less so (on both counts) because of the "touching poetic" sparse piano soundtrack playing in the background. Why do we need mood music to feel the pathos in a story like that? And how could they not at least consider the link between her lesbianism and her neighbors' neglect?

I must go write them a letter.

THEN I'll start my taxes.

Date: Mar. 14th, 2004 06:57 pm (UTC)
groovesinorbit: (Default)
From: [personal profile] groovesinorbit
Wow, I'm surprised no one else has chimed in on your thoughts here. Of course, it is the weekend and all. I wasn't sure what else to add, other than what I tossed in on the Genovese thing, cuz I pretty much agree with what you said. Good stuff. I especially liked your remark about Ellen wanting back in the closet. How disappointing, after what I thought was just an awesome coming out episode way back when.

In a similar vein, did I ever tell you about the comedian who opened for Kate Clinton when I saw her in Oakland years ago? I can't remember her name, but she'd been on tv before, and I was amazed to hear her tell the same jokes I had seen her tell on tv from a straight point-of-view, only from a dyke perspective this time. I never found out if she had come out at that point, or was leading a double career. Odd experience.

I think, too, that Elton is just more self-conscious about everything. That's the impression I got from his biography. Very high-maintenance sort of person, Mr. John. But that's cool that he was self-conscious about his wealth. I wouldn't have expected it.

And John Stossel. I've developed many forms of special torture for Mr. Stossel over the years I'll be happy to share with you. Any time I accidentally run into him on the tube, I start looking for things to throw. What an annoying little man.

Date: Mar. 14th, 2004 08:27 pm (UTC)
From: [identity profile] fflo.livejournal.com
I guess I should say that I don't think Ellen or others who don't hold up well to the backlash from being out deserve to be demonized. It's quite understandable that they might feel that way. It's just not politically courageous. And I suspect that, were they politically admirable to me to begin with, they may well not have risen to broad cultural prominence anyway, as a rule.

You know, [livejournal.com profile] vachementmoi has recently pointed out---and she's not the only one---that if I had been in a "gay" "marriage" with Holly, I wouldn't be as screwed as I am now financially. Not that we would have necessarily gotten married if we'd been allowed. I bet we'd have done the civil union, though, as we came close many times to doing the power of attourney and binding medical permissionthingie and wills and living wills and cetera. It was just a big pain in the butt, and it seemed like the forms wouldn't all work state-to-state, so we'd wanted to get settled somewhere. What a luxury, in a way, just to be able to have that stuff taken care of, in a way that works anywhere around the country, just by declaring it so and getting one license from one state!

Date: Mar. 15th, 2004 06:17 am (UTC)
groovesinorbit: (Default)
From: [personal profile] groovesinorbit
I guess I should say that I don't think Ellen or others who don't hold up well to the backlash from being out deserve to be demonized.

Oh, I agree. Elton had quite the waffling time of it when he came out in the 70s. It's a tough situation to be in. I imagine if you're in the public eye nowadays, it's even moreso.

And I agree with [livejournal.com profile] vachementmoi. It would all be a lot simpler and less of a financial challenge for you, if you guys had done the civil union/marriage thingie. I think it's all going to work out for you, though.

Date: Mar. 15th, 2004 06:46 am (UTC)
From: [identity profile] fflo.livejournal.com
I think it's all going to work out for you, though.

If there were Las Vegas oddsmakers at work on possible outcomes, I wouldn't want to see how good the odds are for my credit being entirely shot in 2 years' time. Or for other more dire potentialities.

It was a long day yesterday of contemplating options---and I'm all up in the air again.

Having had a civil union might make it more complicated, actually, in the certain things would HAVE to be decided amicably or addresed legally. That particular complication would have been to my advantage, at least financially. Emotionally, who the hell knows.

Have I said lately that I hate this? I hate this.

Date: Mar. 15th, 2004 08:22 am (UTC)
groovesinorbit: (Default)
From: [personal profile] groovesinorbit
One step at a time. One day at a time. All that jazz.

I'm not so sure a civil union would have been any more complicated. The steps would have a little more defined perhaps, and you would have had the law weighing in more heavily on your side. Although, I'll be surprised if you don't have it on your side anyway. Emotionally it would have sucked just as bad, yeah.

{{{{hugs}}}}

Ellen, Cho, and Kitty

Date: Mar. 15th, 2004 04:37 pm (UTC)
From: [identity profile] atleastdefiant.livejournal.com
I'd been meaning to chime in on these topics. I myself wondered why Ellen suddenly became a role model. The reason she needed a coming out episode was because she'd been closeted, right? I have always been a fan of hers, back in the mid-eighties before I could really get most of the jokes, but I noticed she NEVER EVER mentioned sexuality, or hardly even dating in her stand up, which was weird for any comic in the eighties. I agree, though she's funny, she's been closety from day one. Course, I prefer her to the Margaret Cho-style bravado. I konw she's supposed to be "representing" and all that, but a lot of her comedy has an internalized oppression/conservative undercurrent to it that angers me. I feel like she's trying to exploit the queer issue to garner a fan following and build a rep. It's all brand new, she wasn't talking this way at the start of her career. Plus her weird schtick about her "black drag queen friends from high school who're all dead from AIDS" who give her sex advice from the grave, like "suck dem balls, gurl!" just pisses me off. There's a strong patriotic thing as well that's always a red flag for me. I never watched American Girl.

The Kitty G thing bothers me, because it has never made sense to me. What neighborhood did she live in? Were there a lot of illegal immigrants? People who would risk more than normal by putting themselves in contact with the police? I'd really question that the whole neighborhood wouldn't care that a woman was being stabbed to death, lesbian or no. Inside the home is one thing, women can be screaming bloody murder in the house and no one's willing to do a damn thing, but she was outside in full view. Weren't there people outside when it was happening? I just can't imagine it.

Re: Ellen, Cho, and Kitty

Date: Mar. 15th, 2004 05:23 pm (UTC)
groovesinorbit: (Default)
From: [personal profile] groovesinorbit
The Kitty G thing bothers me, because it has never made sense to me.

You and a lot of other people. I don't remember what neighborhood she lived in off the top of my head, although I do remember that it wasn't considered a dangerous one. None of the witnesses were outside. Everyone who came forward after the fact were watching from their apartment windows. All gave excuses that they didn't want to get involved or thought someone else would call. Even after the first attack, before the killer came back no one did anything. Just a complete bizarre disconnect from reality. Lots of theories have been tossed around, but I don't think anyone has ever come up with a good answer.

Re: Ellen, Cho, and Kitty

Date: Mar. 16th, 2004 07:18 am (UTC)
From: [identity profile] atleastdefiant.livejournal.com
So the killer left and came back??? What did she do in the meantime, she didn't call the police or go to the hospital or leave or arm herself? Or go inside and deadbolt the door? Who was the killer?
The whole thing smacks of an unreal passivity.There must be a missing angle. Maybe it was an area of high domestic abuse, and many of the witnesses were battered women who thought she was "just" being beaten and not stabbed. It's a stretch, but then again maybe not as big a stretch as we'd like to believe.

Re: Ellen, Cho, and Kitty

Date: Mar. 16th, 2004 07:34 am (UTC)
From: [identity profile] fflo.livejournal.com
Here are some links:

original NYTimes article:
http://www.garysturt.free-online.co.uk/The%20case%20of%20Kitty%20Genovese.htm

the NPR piece with the annoying "mood" music:
http://www.npr.org/features/feature.php?wfId=1763547

extensive quibbling (debunkin?):
http://www.oldkewgardens.com/ss-lefferts-1100.html

from the "crime library":
http://www.crimelibrary.com/serial_killers/predators/kitty_genovese/1.html

on the why/human nature angle:
http://www.objectivistcenter.org/articles/csilk_why-kitty-genovese-die.asp
http://www.findarticles.com/cf_dls/g2699/0000/2699000050/p1/article.jhtml


For some reason I'm not in the mood to call up the crime in much detail today (plus I'm way swamped at work), so I haven't read over 'em all myself yet. Maybe later.

Re: Ellen, Cho, and Kitty

Date: Mar. 16th, 2004 07:47 am (UTC)
groovesinorbit: (Default)
From: [personal profile] groovesinorbit
Yep, the killer left and came back. Pretty ghastly. [livejournal.com profile] fflo's posted some good links with info on the whole case. Another site I found on the case a while back talked about the killer and that, while he had no record, it turned out he was probably guilty of several unsolved murders of women around the same time.

At least one witness thought it was "just a lovers quarrel," so that excuse isn't as far a stretch as you might think. Ugly stuff.
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fflo

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