lovely day

hey, there's zach, with susan. maybe i'll run out there. they're going the other way, must be just starting the walk.

it's about time to get them storm windows off. i've got two more days of movies, and then it's back into the physical world, as this time of year invites me to go, to do. looks like i'll be playing softball again this year, and boy oh sister am i in bad shape for that prospect.

i have flowers that'll be coming up. raked and finger-cleared some muck out from around them the other evening.

today i am registering relief along with other registrations, and i'm also (and this is the impressive part) managing not to worry about or dwell on what might be wrong with that.

dang, susan, did you take him all the way the other side of packard or something? where's my dog?

lovely day

hey, there's zach, with susan. maybe i'll run out there. they're going the other way, must be just starting the walk.

it's about time to get them storm windows off. i've got two more days of movies, and then it's back into the physical world, as this time of year invites me to go, to do. looks like i'll be playing softball again this year, and boy oh sister am i in bad shape for that prospect.

i have flowers that'll be coming up. raked and finger-cleared some muck out from around them the other evening.

today i am registering relief along with other registrations, and i'm also (and this is the impressive part) managing not to worry about or dwell on what might be wrong with that.

dang, susan, did you take him all the way the other side of packard or something? where's my dog?

This one tonight is the one calling my name.

I say back, Yes, I'm coming. Put me through your workout. I can take it, and I want to.

It's got the Kinney of Sleater-Kinney in it, and a Shin.

Matt McCormick's first feature-length narrative is a character-driven film that asks why the good times slip by so fast while the hard times always seem so sticky. The film explores ideas of abundance, emptiness, human connection and abandonment while observing an interweaving web of awkward characters that maintain hope by inventing their own forms of communication and self-fulfillment. Written and directed by Portland's acclaimed filmmaker Matt McCormick and starring Carrie Brownstein (Sleater-Kinney) and James Mercer (The Shins), Some Days are Better than Others is a sad valentine to the forgotten discards of a throwaway society and a story about knowing when to hold on, and when to let go.

Filmmaker Matt McCormick in attendance for audience Q&A.

9:30, Screening Room

http://www.somedaysthemovie.com/

This one tonight is the one calling my name.

I say back, Yes, I'm coming. Put me through your workout. I can take it, and I want to.

It's got the Kinney of Sleater-Kinney in it, and a Shin.

Matt McCormick's first feature-length narrative is a character-driven film that asks why the good times slip by so fast while the hard times always seem so sticky. The film explores ideas of abundance, emptiness, human connection and abandonment while observing an interweaving web of awkward characters that maintain hope by inventing their own forms of communication and self-fulfillment. Written and directed by Portland's acclaimed filmmaker Matt McCormick and starring Carrie Brownstein (Sleater-Kinney) and James Mercer (The Shins), Some Days are Better than Others is a sad valentine to the forgotten discards of a throwaway society and a story about knowing when to hold on, and when to let go.

Filmmaker Matt McCormick in attendance for audience Q&A.

9:30, Screening Room

http://www.somedaysthemovie.com/